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Many Scandinavians have a code of formal politeness like a veneer over their personal conflicts. It is impossible to overemphasize the power of these silent figures in the story, who tower over the action like censorious megaliths. The strangest of all the silent characters in the film is the police chief Brix, played with eerie composure, tinged with mute menace, by Morten Suurballe. Her waves of hysteria are like tsunamis of silence. Henriksen rarely speaks at all, but his silences are enormously communicative, and as for Jorgensen, she conveys much by a manic staring into space as her personality disintegrates and she slowly goes to pieces in the aftermath of her daughter's murder. The specialists in this art of communicating by non-communication are Bjarne Henriksen and Ann Eleonora Jorgensen, who play the married couple Theis and Pernille Birk Larsen. The Danes are obviously specialists in silent communication by means of significant looks, both focused and unfocused.
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The acting is rather different from what we are used to outside Scandinavia. These are all highly talented people, and they are matched by the first class acting of everyone in the series.
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The series also has haunting and highly effective music, composed by Frans Bak. That indicates highly superior producing by the team of three producers. Five different directors made this series, the chief being Kristoffer Nyholm, and it ties together seamlessly as if all made by the same person. Even the smallest parts are of interest, and no attention to detail is overlooked. First of all, one must praise the writer Soren Sveistrup and his three co-writers for coming up with the most complex murder mystery plot imaginable, and with fascinating and convincing character studies.
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The BBC has no business trying to be 'popular' and aim for high ratings because it is funded by a tax on every TV set in Britain and audience size is not needed for advertisers, as there are none.) The acting and direction for this series are so brilliant there are simply no words strong enough to praise the persons involved. (It is typical of the inferior nonentities who now run the BBC that they want to sensationalize everything and inject sex and murder into everything they can because they think it will be 'popular' there are many instances of this.
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The crime is seen to be much more than just a killing, which is another reason why the English title is wholly inadequate. The series is about the incredibly complex and breathtakingly dramatic aftermath, much of which concerns political intrigue and corruption in Copenhagen's town hall. We never see her except in photos and one video clip. The crime of this 20-hour marathon takes place before the series begins, and is the mysterious murder of a 19 year-old girl named Nanna Birk Larsen. The Danish title FORBRYDELSEN means 'The Crime'.
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(My review is of the complete Series One only, as Series Two is not yet released on DVD and Series Three is being shot as I write.) It is a pity that the title of the series has been mistranslated as THE KILLING, for that gives a false impression of some seedy cop caper, full of violence and murder, sirens and car chases. It keeps you on the edge of your seat for 20 hours. Anyway, it's about time The Vore sums up what you shouldn't have missed the last couple of years in Danish television.This amazing Danish series is even more absorbing than MAD MEN (2007, see my review), and may be the most compelling drama series ever made for television. Or better: her inseperable woolen Icelandic sweaters, which became a fashion hype on its own. The Killings' protagonist detective Sarah Lund is probably the most iconic of them all. They're raw and authentic, showing the typical land- and cityscapes in all its bleakness, inhabited by enigmatic detectives and cunning politicians. It's especially thrillers they're good at, or scandinavian noir as they've already been dubbed. This might seem peculiar, given the country's modest size and reputation, but obviously there's something irresistable about these shows. A list with the best Danish TV productions.Īnyone who hasn't been living under a stone for the last couple of years and is interested in quality drama series the slightest, couldn't but notice that Denmark became Europe's purveyor of high quality TV series recently. From The Kingdom to Borgen, astonishing shows have been in made in the country, and hopefully we’ll see a lot more. Next to England, Denmark is one of the few European countries that has a sound reputation with regard to television series.